The other day I emailed follower/reader Denise and asked if there was something she'd like me to blog about. As any of you who have a blog know, sometimes we (or at least I) struggle to come up with a topic which might interest readers. Her question was "wondering what was the best tip learned from a class or teacher".
A comment from Julia made a perfect and classic example of 'must do' ~ Use a good linen foundation and not cheap brittle burlap for your rug hooking. Must admit that when I was teaching myself and practicing that is what I used because it was affordable and could be a 'throw away'. But when I got seriously hooking that was the lesson taught me also and is what I use.
Continuing with Denise's email, she said she was struggling with a random background. When hooking a large background we all get bored! I'm speaking for myself here but know someone (UH, that would be my friend Lauren) who finds it a soothing task.
When I first started hooking think I just followed the outline of the main motif's (the ripple effect) until the lines eventually connected and then filled in. But attending an early rug camp my teacher Bev Conway suggested drawing, then hooking, S's in the background, hooking the S, hooking around the S, moving onto the next and as each S is hooked around they eventually meet up.
This Rottweiler Memorial wasn't hooked in her class but I used her technique. You can see the S or C movement throughout the background and I used two values of the same color wool.
Another teacher Lisanne Miller suggests the puzzle piece style. I tried it on my eagle rug but didn't do her technique justice as I didn't draw the small areas on the background, I just hooked random spots using dark and different wools. It is a primitive after all. Reader Nancy commented on my last blog post that her teacher suggested adding small bits of color or different value here and there for interest.
Robin mentioned using 'ugly wool because ya just never know when that ugly will look wonderful in a rug'.
Barb Carroll made a similar comment in class. Barb's was more of a color contrast which she called 'poison' as a random out-of-place hooked piece of wool. After all, they used what they had back in the day. An example of Barb's teaching is in this Westmoreland Ponies pattern designed by her and I hooked it in a class with Barb 2012. Click on the photo below and look closely. You can see the odd yellow green strips, random plaids and even a lighter color in the background. All of which provides interest and makes the eye move around the rug. AND, makes it more fun for the hooker.
Westmoreland Ponies is a free pattern in a previous issue of RHM but can't recall which year but maybe around 2011 or 2012.
Please don't hesitate to email me a question or an idea you'd like to see on my blog. Happy hooking.
Saundra