Recently I've been thinking about marrying wool, dyeing primitive black and then remembered the already mixed liquids on the shelf in the garage. Took a look and saw a jar of "1/8 gold" with no reference as to what it was dyed for. So assumed it was 1/8 tsp. Pro-Chem gold.
It had been there a while and had always thought about dyeing gold over grey to achieve a Chartreuse . Wasn't sure how much grey wool or if this would even do the job. I grabbed a piece of heather grey and a darker grey windowpane wool and think there is slightly over 1/4 yard. On the bottom is what the original looks like and on top is the result of the dye.
At least one jar is empty from the shelf so maybe I'll pick another color and experiment again soon...stay tuned.
See that pattern and linen below the wool? Remember when I said I'd like to take advantage of the linen on my present project to draw my next pattern? Well, it wouldn't be a great use of resources so decided to pull a piece of left over linen to use instead. Nope, not gonna show you what's next because it's too soon. Besides, you know how fickle I am and might change my mind on what to put on the frame next anyway.
Happy hooking, stay safe.
Saundra
www.woodlandjunctionprimitives.weebly.com
Robin of Bird in the Hand Primitives made a comment on my blog the other day when I asked the readers if there was anything they wanted me to talk about. I'm really glad a couple of you took me up on the question because now I can try to give you want you want to read.
Robin said she had recently purchased two dye books on e-bay ....."in the hopes of learning dyeing methods and creating just the right colors I
want for certain designs...however, color planning is a challenge for me because
of so many hues and textures...I would love if you posted some thoughts and
tried and true tips for color planning ...Is that something that came natural or
was it learned ? ........"
I have had some success stories where the wool came out exactly like I'd hoped (dumb luck for sure) and then have tried to achieve a certain color for a rug and it didn't turn out as I'd hoped. Yet the wool goes in my stash and usually is perfect for another project. The wonderful Bev Conway generously shared some dye recipes she uses on the wool colors which I always purchased. While the colors turned out nicely, my gold didn't turn out like the rich old gold she dyes.
There are a lot of variables which influence the color and water is a very important factor. Bev lives in Vermont where the water must be magnificent and I live in Delaware using well water. That also makes a difference in the dye results because well water and city water with chemicals will influence the project. And, Bev has even said that she can tell a difference in her dye results between drought season or good water level season. Some people even suggest that using a stainless steel pot vs. an enamel coated pot makes a difference. So there is a very good likely hood that the colors we see in a book of samples may not quite turn out exactly as we see it on wool samples, pictures in a book or on the computer screen.
I have a teacher/friend who can add color (dye by eye) to make the wool exactly what she wants (Lynne, if you're reading this, yes, I'm talking about you) and I don't have the skill to do that. Obviously I lack the true understanding of color manipulation and am always afraid of adding a little more of the wrong color.
These are the wool pieces I plan to experiment with and there is about half a yard total there.
Robin indicated she can never find the right grey green, sage, or dark celery. So I have taken a picture of some wool I dyed to see if that is what she is looking for. Meanwhile this wool is soaking until we can determine what color wool strikes her fancy and then I'll do the experiment.
So check in tomorrow to see the next installment.
