What I Look For When Buying a Pattern (edited)

First thing that pulls me in is the design.  And my interest can change in a nano second from the point of order to the time it goes on my frame. That is also the reason I've 28 patterns in my stash waiting in line to be next.  Eventually I'll get them but I'm fickle, lol.

So, after the design the next most important issue for me is the right foundation fabric.  When first beginning to hook I had no clue what I liked or what was right for ME.  Now I know.

My first choice is natural primitive linen but will buy a design on bleached primitive linen (not hairless linen) as well as rug warp.  I will not buy a design on monk's cloth, hairless linen or burlap without the express consent by the seller for me to redraw the design on my own natural primitive linen.

In the event you are a new hooker and still testing the waters you will find out which hooking foundation you prefer.  Some people love monks' cloth and I learned the hard way it was not for me.  But here are some things you should keep in the back of your mind when ordering a pattern from someone for the first time.

After this initial posting a follower was surprised that I'd use rug warp since I'm a wide cut hooker.  Yes, I have used #8 wool strips to hook the rug below.  That was the cut used before falling in love with #8.5 so wouldn't hesitate using that cut either.  Don't understand why people believe it is a foundation fabric for only narrow cuts.  And to use a narrow cut on rug warp you'd have to hook in every hole I believe.  Not that I'm willing to give it a go as I don't like hooking narrow cuts.  Rug warp is heavier than natural primitive linen.  Sorry it is a very washed out version of the rug and since it was sold don't have it to take another photo.

When you buy a pattern it should have at least a 3" outside margin. Two names come to mind who provide extraordinary nice margins ~ Kris Miller of Spruce Ridge Studios and Barb Carroll who formerly owned Woolley Fox.  I trust that tradition has continued.  There are more good ones out there but those are the two most recently hooked so stand out in my mind.

The second important ingredient to a good pattern is the edge of the foundation.  Is the edge serged or not?  The pattern above was purchased at a hook-in for a great price and design I loved by a well known designer.   The edges were done with "fray check", a fabric glue and not to my liking after having used a pattern drawn for a camp once. I hooked the design at camp the edges did fray and dropped off around my feet.  So as I own a serger the above design was brought home and serged the edges until it is ready for my frame.  

I do not like the fray check edge and if the seller of a pattern is not serger friendly then even the edge covered with duck tape would be better.  I've seen some cute colorful duck tape that would be a better alternative to "fray check".  So that is a viable question to ask the person before you buy a pattern from them.... how is the edge prepared.  Below are a couple patterns I drew of Polly Minick designs.

Next important item is to have the outside edge on the straight of grain. Always double-check the exterior lines and inside lines if there is a border to be sure it is drawn straight.  OMG, I purchased a pattern on ebay from a designer and it was so off kilter that when I tried to draw the lines straight the inside design was so far off it couldn't be fixed.  I took a photo of the proper lines I drew and sent a photo to the seller.  She returned my  money and paid for the shipping back.

Let me make clear that is it very easy for the Sharpie to slip over a row and into the next ditch.  It has happened to me and since I can feel that slip will correct it.  The story above was way different.  The difference was not a row or two it was more like an inch ~ sorta like it was a red dot which was plopped on linen and drawn with no inclination as to where the outside boundaries were.  

So when you draw your own patterns, be aware of that scenario. Draw your boundary lines first and then place the design inside those lines.

In January I did a blog post called Domestic Zoo Review and this wonderful rug didn't get posted then.  I recently saw it posted on the Out Of Hand Rug Hooking Group and is being hooked by Karen Schoenrock.

OH!!!!!!!!!!!!  I forgot one important issue!!!!!!!!!!!  What cut wool do you prefer?????  Some designs are meant only for narrow cut.  I prefer wide cut although it is not uncommon to need a #5 for eyes, flower centers, leaf veins, etc.  But the majority of the motifs I hook or the design I look for is to accept a #8 (preferably #8.5) and above.  Okay, let's recap what I said newbies should consider when buying a pattern...

~ Interesting design
~ Foundation fabric
~ Edge preparation
~ Drawn straight of grain at outer edge
~ Width of margin beyond design
~ What cut wool is it designed for

Sorry that I missed posting on my blog the first day of February but was afraid to bore you with yet another update on my horse project.  If anyone has any questions or what they would like to see me post about, please feel free to write and suggest.  

Goodness this ended up being a huge long post and I'm sorry.  Guess I'm making up for lost time missing yesterday.  You just might have to revisit tomorrow to finish reading.

Have a great evening everyone and now I'm too tired to do an edit, lol.

Saundra

It's Baaack.......

Yup, the Lollipop Bouquet is back ~ not done, but back.  This picture was taken out on my deck in natural light and without a flash.  Never know which presents a better photo so take both when I can. 

This picture was taken inside with a flash.

So you are wondering which picture is really what it looks like with your eye?  All I can tell you is that the backing is on Dorr Natural Primitive Linen and not burlap.  So the real colors are probably somewhere between the two.

As mentioned before, this has been a fantastic project for using up all those wool strips left over from various projects.  Domestic Zoo would be another great Magdalena design to use up even more wool strips and wish I hadn't been so anal when I hooked it.  That was my very first Magdalena rug and wonder how differently it would have looked if I used left overs.  In case you're wondering...... nope, not gonna hook it for a second time.

Hope you enjoyed your extra day off on this Labor Day.

Saundra

Old/New Rug on the Frame

Big Dog didn't get done today because I dyed some wool to tone it down for the next hooking project.  So it appears that the new design will be started sometime tomorrow after I finish pulling the last few loops on Big Dog and steam it.

You're all wondering what my next project will be and I've given some hints in the past but if you are like me that desire could change in a heartbeat.  But, the desire has stuck with me and this is what I'm starting tomorrow.  I'm calling it Red Bird of Pennsylvania since that is where is was hooked and/or discovered.

                                                                      

The antique rug is hooked with cotton and wool, was hooked early 20th Century and measures 21" x 39".  That was a smidgen bigger than I wanted to hook so mine will measure 18" x 35".  Eventually, when able to update my web site I'll post this design for sale there but that won't happen until sometime in May when I get the computer situation rectified.  Meanwhile, if anyone would like to join me and hook this design the same time I am, the pattern would be drawn on Dorr Natural Primitive linen with the measurements of 18 x 35 for $65 plus shipping.

So now to the dyed wool......Lucille Festa told me what she does to tone down color in wool and thought I'd try it on the cream for the rug.  She suggested putting 1/4 teaspoon of Cushings light brown dye in 1 CBW and then use a tablespoon at a time in the pot until you get what you desire.  The off the bolt washed wool is on the right and the slightly toned down wool is on the left.  There isn't a whole lot of difference but suits me just fine and I'll cut some strips of the lighter as well and mix them up in the bag and pull at random.

Since I didn't really want to darken the wool much, but did hope for a little mottled wool here, I only used 2 tablespoons of dye solution in a pot with about half a yard of wool.  So if I need more wool or want to tone down something else later there is more solution already mixed up.

Enjoy your weekend and come back to check on the progress on my new rug IF indeed it does get started tomorrow as hoped.

Saundra