That's right, I'm dyeing in anticipation...of the next project to go on my frame. Some of you (Lauren) figured out which one is the next one. I've been collecting odd pieces of wool which weren't large enough for a whole motif and light colored wool with too much white to suit me.
The intention was to have some toned down dirty muddy alternatives in stock to use in antique adaptations. It is great to have several different wools from the same dye bath as it looks great all hooked together. Or it can be used here and there mixed with other wool for a background or motif. I'm sure some will be used in my Woolley Fox camp rug too.
This morning I gathered about 3 yards of wool to dye in 3 different pots but with the same recipe. BUT, from the ONE CUP I used only tablespoons per pot, NOT the whole cup per pot. So, two pots had 5 tablespoons of the solution and the darker wool had only 4 tablespoons. So there is a smidgen of dye left which I've saved for another time. Here is the recipe:
1/2 t. Khaki Drab (Cushings)
1/8 + 1/16 Golden Brown (Cushings)
1/8 Prochem 124 Gold (since I didn't have Cushings Old Gold)
1/16 t. Dark Gray (Cushings)
1/64 t. Wood Rose (Cushings)
This was pot 1 Before. Most of the wool is from Heavens to Betsy. I'm not sure where I got the wool with the orange, the 4th one from the left. As I LOVE buying Betsy's Remnant Bags, I save pieces like this for the dye pot. AND, what is lovely is that I get to see pieces larger than the samples to get a better look at the wool. The 3rd and 5th pieces of wool are wonderful as they are but since I've more of the 3rd, thought I'd toss it all into a pot anyway.
Here is Pot 1 After. And I swear the wool to the far right doesn't look that orange in person. Nor does the pink in the second one show up as much as in the photo. Oh well, cameras, flashes and monitors...what can I say. But you can see they will work well in antiques.
Pot 2 Before, again mostly Betsy wool except for the third piece where I'm not sure of it's origin.
Pot 2 After. Need to explain something here. There were a couple pieces of white/natural wool and they must have been from different mill jobs as they dyed differently. When I placed them out for the before photo they were all tucked in together, but when they came out of the pot and look differently, I split the first two white wools for the after photo. Again these lovelies (except for the orange plaid) came from Betsy.
Pot 3 Before. That green/gold wool, third over, is from Scotland and the one below is from a skirt I purchased at the thrift shop. The very light in the wool I wanted toned down.
Pot 3 After. Perhaps I could have added another tablespoon or two to the pot but this is still toned down. The rug going on my frame next has some blue in it so am hoping that the blue here plus an already old looking blue wool I have will work.
If you haven't already done so, I'd suggest you try one of the Remnant Bag sales that Heavens to Betsy offers. She doesn't have them often but if you sign up for her newsletter or check her link often enough you will find out when she is having one. Most times the pieces are larger than you saw here. But sometimes to make the weight right she needs to put in a narrow piece of wool. Hey, that works for me particularly for jobs like this.
Goodness, I'm running way late so will check tomorrow for incorrect sentences. Have a great evening.